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Glimpses of an odd world captured by Jon Horvath

Jon Horvath Wide Eyed Cover

 

Jon Horvath’s interdisciplinary practice adapts systems-based strategies to photography, performance, and new media works. His work is influenced by American literature, pop culture, and his interest in the unfixed nature of a photographic experience.

Horvath received his MFA from the University of Wisconsin-Milwaukee in 2008, and a BAS in both English Literature and the History of Philosophy from Marquette University in 2001.

His work has been exhibited nationally and internationally in venues including: The Print Center (Philadelphia), FIESP Cultural Centre (Sao Paolo, Brazil), Philadelphia Photo Arts Center, Newspace Center for Photography (Portland), the Haggerty Museum of Art (Milwaukee), INOVA (Milwaukee), Colorado Photographic Arts Center, Johalla Projects (Chicago), The Dean Jensen Gallery (Milwaukee), and the Detroit Center for Contemporary Photography.

His work is currently held in the permanent collections of the Philadelphia Museum of Art and the Haggerty Museum of Art, and is included in the Midwest Photographers Project at the Museum of Contemporary Photography.

Horvath currently teaches in the New Studio Practice program at the Milwaukee Institute of Art & Design.

Jon Horvath Wide Eyed Main

About ‘Wide eyed’:

Wide Eyed’ departs from a reactionary response to my surroundings, grounded in a sense of wonder and awe. It is approached with the spirit of the wanderer and emphasizes democracy within the project structure.

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Wide Eyed’ persists as the undercurrent of my entire photographic process, bridging the gaps between more pointed investigations. As a result, this project avoids specificity in content and conceptual motivations.

Rather, it functions more analogously to an archive, a database, a repository for meditations, glimpses and passing thoughts about my relationship to anything I may encounter.

Wide Eyed’ is intended to be a breathing body of images; a space to bounce and veer and double back while maintaining the sensation of being in a place of familiarity without specificity.

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Time to read
3 min
Words by
Alessandro De Agostini
Published on
25 November 2016
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